莫里森在11.1订阅台回复了我的提问Q1：《绿灯侠》第9期被击倒的超级守望队那页（第2页），右上角那个没有头的角色是谁？我找到了神奇小姐，洛吉和奎斯托，雷戈等，唯独不知道那个是谁Q2：有没有觉得写得不够满意，觉得修改下会更好的故事？关于5G超人还有没有想写但没实现的点子Q3：怎么看待视差哈尔

莫里森的回答：1：那页并没有看到什么无头角色，惊奇小姐的脸处在阴影里，但她是有头的；你描述的那个角色看起来是一个穿着超人风格制服的外星双髻鲨人，不过我拿不准他到底是谁！或许画师连姆能给我们答案！画面里还有超级蚂蚁，躺在旁边不省人事，所以这页或许是想展现一些非人类英雄，除此之外，其余角色都取材自老漫画里各类超人家族的同位角色（我核对过剧本，在该画格我还备注了另一个角色，是出自1963年8月《超人》第163期的神奇侠，但这个神秘角色和他的样貌差别很大！）我其实并没有杀掉任何一名超级守望队的英雄，那时候我已经非常反感这种把别人创作的角色当成一次性炮灰的做法，他们只是被击晕了，最后全都恢复过来了至于超人，我已经把自己对这个角色大部分想法都表达出来了，没有什么重要构想还没能实现的

2：我一般没觉得还有必要回头去改动自己已经完成的作品，我更会把这些创作视作日记，所以对于那些效果不如预期的部分，我都会选择释怀，就像看待生活里不尽人意的阶段与经历一样，如果我重新打磨某个故事，大多还是为了影视企划，比如《我们仨》、《无形会》、《污垢》等，在这些改编里，我可以精简叙事，调整故事结构，让剧本在我看来变得更合适

但《幻想快乐》这部剧给了我机会，让我把漫画里受篇幅限制，没能实现的想法全都落地了，我和达里克原本只有四期漫画的量，却要塞满各式猎奇怪诞的角色与幻想伙伴，在我看来这个故事永远还有更多内容可以讲，尽管我认为漫画第3期的火车戏要比剧集对应的地铁段落更出色——剧集做了改动，让女儿的身份在第一集就被揭晓了，而不是像漫画那样放在第二幕末尾作为颠覆性反转——但除此之外，其实在我心里，剧版才是“真正的”《幻想快乐》，我对剧要满意得多，我觉得漫画的结尾部分我写砸了，最后一页的剧情含糊不清（密码就是萨克斯手里那根蓝色羽毛，持有羽毛的人可以获取黑手党老大的宝藏，宝藏掌握在“蓝羽”酒庄老板手中，但漫画里这一切交代得十分含糊），剧集让我有机会理顺整条密码线索，还充分拓展了斯穆西与布鲁这两个反派的戏份，效果很好（帕特里克·菲施勒与里奇·科斯特两人的表演都拿出了最佳状态），克里斯·梅洛尼饰演尼克·萨克斯时，还即兴发挥出大量精彩对白，这是一个我想要完善的故事，而我最终在另一种媒介里完善了

3：我对视差这个角色没有什么特别的感触，那段剧情发生的时候，我已经不追绿灯侠漫画了（就算当时看过，也没有留下很深的印象或者为之触动——我小时候并不喜欢绿灯侠，一直到杰夫·琼斯写了连载，我才真正接受了），我还记得哈尔回归正派在《终夜》大事件里修复太阳的情节，不过我在自己的《正义联盟》故事里选的绿灯侠是凯尔·雷纳；90年代我看的是荣恩·马兹写的以凯尔为主角的绿灯侠刊，那时候哈尔·乔丹退场太久了，所以我让无尽家族的梦神对凯尔说，他终将超越哈尔，因为凯尔理解一样哈尔不会理解的东西——是恐惧，当时我笃定往后绿灯侠就是凯尔，完全没料到白银时代的原有配置会在2000年代强势回归

1.I don’t see a headless figure on that page. Marvel Maid’s face is in shadow but she has a head and the one you’re describing is what looks like an alien hammerhead shark man in a Superman type suit but I’m not sure who he’s meant to be! Maybe Liam can enlighten us! He also added the Super-Ant, who is lying unconscious nearby so it might have been an attempt to show some non-human heroes. Otherwise, the characters were all based on various Superman family counterparts from old stories.(I checked the script and the only other character mentioned in that panel is Wonder Man from Superman 163, August 1963 but the mystery figure doesn’t look much like him!)I didn’t actually kill any of the Superwatch interplanetary heroes. By that time I’d grown to hate the practise of using other peoples’ creations as disposable cannon fodder. They were just knocked out. They all got better.As for Superman, I was able to express most of my ideas about the character. There’s nothing major I haven’t done.2. I don’t usually feel any need to go back to something I’ve done. I regard the work more as a diary, so tend to forgive things that don’t work out as well as I’d hoped just as I would days or events that do the same. When I’ve gone back to a story, it’s usually been for a screen pitch, as with We3, The Invisibles, The Filth and others, where I’ve been able to streamline or change the narrative for what seems to me the better.The Happy! TV show gave me an opportunity to do everything I’d wanted to do in the comic but couldn’t for reasons of space. Darrick and I had four issues to tell a story that was crammed with interesting grotesques and imaginary friends and there was always more story to tell there, as far as I was concerned. Aside from the train scene from issue 3 which I think is better than the corresponding subway scene from the show – but that was changed to have the daughter reveal up front in episode 1 of the show rather than as a big game changer turn at the end of Act 2 in the comic - the TV version feels to me like the ‘real’ Happy! and I’m much happier with it. I felt I’d botched the end in the comic where it’s unclear exactly what’s happening on the last page (the password is the blue feather Sax was holding in his hand and the Don’s fortune, which possession of the feather gives access to, is held by the ‘Blue Feather’ wine shop owner, but all that’s really vague). The show gave me a chance to fix the whole password strand, and to expand on the villains like Smoothie and Blue to great effect (both Patrick Fischler and Richie Coster brought their A-games to the performances), and we had Chris Meloni spontaneously generating incredible off-the-cuff improv dialogue for Nick Sax, so that was one I wanted to improve on, and then did, in a different medium.3. I had no particular feelings about Parallax. I wasn’t reading theable to express s most of my ideas about the charact to expres Green Lantern comics when all that was going on (or if I was reading, I don’t remember being particularly impressed or moved – I didn’t like Green Lantern when I was a kid, and didn’t get into the concept until the Geoff Johns run). I remember when he came back as a good guy and healed the sun during the Final Night crossover but I had Kyle Rayner as Green Lantern in my JLA stories and it was his book, as written by Ron Marz, that I remember reading in the ‘90s. Hal Jordan had been gone for so long that I had Dream of the Endless telling Kyle that he would surpass Hal because he understood one thing Hal did not – fear. I was sure Kyle would be the Green Lantern going forward and didn’t expect the Silver Age status quo to roll back so powerfully in the 2000s.

关于《绿灯侠》第9期超级守望队的未解之谜总算解开了：莫里森在剧本里备注了这页躺下了哪些人（超人同位体），其中包括神奇侠，但是画师连姆夏普没搜到这个人，所以随便画了个鲨鱼头超人代替了下…🥺

另外莫里森真的特别贴心，让我不要担心超级守望队，太感动了！我当时真的很担心这些角色