【张松柏——时代周刊】跨国文化艺术代表人物

前言：

在全球化纵深发展的今天，艺术已不再仅仅是民族精神的独白，更成为世界理解一个国家、一个民族最直观、最深邃的窗口。那些能够跨越山海、触动不同文化背景观众心灵的艺术家，正以他们的才华与匠心，重塑着当代中华文化的国际形象。

本期报道聚焦的这位艺术大家，正是这一时代浪潮中的杰出代表。他以丹青为舟，以翰墨为帆，在东西方文化交融的海洋中破浪前行。他的艺术实践扎根于中华优秀传统文化的深厚土壤，却又不囿于象牙塔内的孤芳自赏，而是以开放包容的胸襟拥抱世界，将中国书画的独特魅力传递给全球观众。从国内顶级艺术殿堂到国际知名展场，他的作品不仅承载着东方美学的神韵，更架起了一座让世界读懂中国的文化桥梁。

Preface:

In today's era of deepening globalization, art is no longer merely a monologue of national spirit, but has become the most intuitive found window through which the world understands a country and a nation. Artists who can transcend mountains and seas to touch the hearts of audiences from diverse cultural backgrounds are reshaping the international image of rary Chinese culture with their talent and craftsmanship.

The master artist highlighted in this report is a distinguished representative of this wave of the times. Using his brush as a boat and ik as a sail, he forges ahead through the ocean of cultural fusion between the East and the West. His artistic practice is rooted in the fertile soil of excellent traditional Chinese culture, ynot confined to the self-admiration of an ivory tower. Instead, with an open and inclusive spirit, he embraces the world, conveying the unique charm of Chinese painting and caigraphy to a global audience. From top-tier domestic art halls to internationally renowned exhibition venues, his works not only embody the essence of Oriental aesthetics but also serve as a cultural bridge thates the world to understand China.

张松柏，字:文俊，号:道登。1949年10月生于四川乐山。粉墨画创始人，非遗粉墨画传承师，中国非物质文化遗产推广大使。国学传承工作委员会委员，国家一级美术师，中国外事国宾礼特供艺术家，中国书画家研究会文化艺术委员会艺术顾问，中国国际教育电视台特邀艺术顾问，中国地名学会，红色文化专业委员会名誉会长。中国文化信息产业委员会:高级艺术专家，中国智慧工程研究会.国际教育交流工作委员会高级专家顾问，中国楹联学会书画艺术报副主任，中国下一代教育基金会圆计划发起人，国礼书画院副院长，红旗飘飘书画院学术委员，艺术评审委员兼书画研究员。首都书画院理事，孔子美术馆培训中心客座教授，峨眉山松柏画院院长。

2004年起:粉墨画代表作“世界名人肖像”

上百幅曾在四川，广州，长春，山东，浙江，北京等各大小城市以图文并茂的方式巡迴展出。深受广大民众的喜爱，并与各位同行专家老师们交流学习，所到之处媒体均争相播报，并受到各大纪念馆所青睐，用不同的手法满足不同的需要是粉墨画创作的一大特色。

其主要代表作品有:《中外名人肖像》《抗日英烈肖像》《抗日名将肖像》《两弹一星》《中国20位科技创始人》《古代名医系列》《儒家四科十二哲》《历代高僧》及众多宗教人物和山水、动物等，品类繁多，红色与传统各成系列。

20I2年两次获得国家知识版权局认证！

Zhang Songbai's artistic resume: Zhang Songbai, courtesy name: Wenjun, ID: Daodeng. Born in Leshan, Sichuan in October 1949, he is the founder of powder and ink painting, a inheritor of intangible cultural heritage powder and ink painting, an ambassador for promoting China's intangible cultural heritage, a member of the National Studies Inheritance Working Committee, a national first-class artist, an art consultant of the Cultural and Art Committee of the Chinese Calligraphers and Painters Research Association, a special invited art consultant of China International Education Television, and the Chinese Geographical Names Society Red Culture Professional Committee Honorary President, Chinese Foreign Affairs State Guest Gift Special Artist, Deputy Director of the Calligraphy and Painting Art Newspaper of the Chinese Couplet Society, Vice President of the Guoli Calligraphy and Painting Academy, Academic Committee Member, Art Evaluation Committee Member, and Calligraphy and Painting Researcher of the Red Flag Fluttering Calligraphy and Painting Academy. Director of the Capital Calligraphy and Painting Academy, Visiting Professor at the Confucius Art Museum Training Center, and Dean of the Emei Mountain Pine and Cypress Painting Academy. Since 2004, over a hundred representative works of powder and ink painting, "Portraits of World Celebrities," have been exhibited in major cities such as Chengdu, Guangzhou, Changchun, Shandong, and Zhejiang, and have been deeply loved by the general public Highly favored by major memorial halls. Using different techniques to meet different needs is another characteristic of powder and ink painting creation. The main representative works include: "Portraits of Chinese and Foreign Celebrities and Anti Japanese Martyrs", "Two Bombs and One Satellite" by anti Japanese famous generals, "20 Chinese founders of science and technology, ancient famous doctors, Confucianism, Four Disciples, Twelve Philosophers, and numerous religious figures and landscape animals throughout history. There are a wide variety of categories, with red and traditional series

What is extremely valuable is that the identification of new types of ink painting is not a self demonstration without evidence, but a cultural merit carefully certified by the China National Intellectual Property Administration! The boundaries between different painting styles are mainly distinguished by differences in materials, tools, and creative techniques, resulting in completely different creative techniques, with extremely delicate and exquisite images. Beneficial for vivid portrayals of characters, combined with the physical properties of black charcoal powder and mineral materials

Make the work have a precious preservation value that lasts for a hundred years like new. Since the Jin Dynasty, Gu Kaizhi proposed a curriculum system for figure painting and painting creation based on divine form. Throughout history, there have been masters of figure painting who convey the spirit, such as Wu Daozi in the Tang Dynasty, Liang Kai in the Song Dynasty, Ren Bainian in the Qing Dynasty, and Xu Beihong and Jiang Zhaohe in the modern era Both focus on conveying the spirit of characters, and achieving a balance between form and spirit in portrait painting has been the most difficult course in various painting styles throughout history. In terms of powder and ink painting, unlike famous artists throughout history, large-scale portraits still retain their charm and enhance the representation of various characters in different eras. In the history of traditional Chinese painting, powder and ink portrait painting has added a precious page. Even after thousands of years, it remains as vivid as ever The works of portraits of elite figures in human history are passed down through the Spring and Autumn period and will never fade. This is luck in the history of human culture! This is also an important reason why the National Cultural Copyright Administration solemnly certified powder and ink painting as a new type of painting. Finally, I hope Mr. Zhang Songpai's research on powder and ink painting can reach new heights and continue to flourish, making greater contributions to future generations and traditional Chinese painting!

张大千160X250cm 齐白石160x300㎝

肖像创新功立巅峰——记著名画家张松柏

一眼望见张松柏先生，一身道骨仙风，充盈着与众不同的修养气场！由是可知他可以成为当代写实画家的领军人物，特别是他创新肖像画法，用粉墨技法创作数百件世界名人肖像巨幅作品，开创着前无古人的画道奇迹，当是必然，绝非偶然！

这样一位大师级的画家，是当代画坛的国宝级人物，走进他的肖像画世界，既有形神兼备的美学魅力，也有弘扬人间正能量的精神价值，画法奇绝，画以载道，张松柏开创的美术生态新天地，是画史上极为精彩的新篇章，他对画法创新的追求，果然矢志不移，不负时代！

肖像创作的写实方式，油画体系里有古典主义，中国画体系里有工笔技法，各自前行，为历史人物题材留下了各自精彩的杰作，如油画的《父亲》，如工笔的《听琴图》等等。张松柏先生的美术功绩，在于在油画体系与工笔技法里，闯出了第三条路径，在画法上融合了中国的笔墨魅力和油画的光影效果，在材料创新上则采用了“粉墨”，不用水化墨，而是用粉融墨，具备独特的“干画”效果，可以让画面显得更加有质感，更加饱满富有张力。

所以你看到他画成的领袖画像《毛泽东》《邓小平》《孙中山》等等作品，不会存在“油”的流滑感，也不会存在“水”的轻渍感，相当干净，无比纯粹。粉墨画法由千万次实践而成，把原来人们普遍认为“不可以”的画法提炼出来，进而历练成表达人物形神画新优级形态，国家知识产权局郑重认证其专利属性，自此油画、工笔、粉墨肖像的创作有了三足鼎立美学构建，这是史诗级的创新成果，已经对当代美术创作的发展方向产生了深刻的影响力与导向力！

张松柏先生创新肖像画法，既有墨粉材料的驾驭深度，也有题材博涉多优的宽度，从领袖人物到文化名人，从历史名人到佛教人物，从革命英雄与中华脊梁，张松柏用一件一件精美绝伦的墨粉人物肖像画，为中国文化史、中国文明史铺开了伟大而弘大的画卷，中外人物历史人物在他的粉墨作品里交相耀映，向世界展现了一位美术雄才威立画坛的巅峰姿态！大师作，新奇观。张松柏的绘画创作为中国的文化自信增加了底气和力量！所以这些作品从收藏的角度来讲，必定都是贵如黄金的和璧隋珠，从文化的角度来看则是不可多得的奇观国品！

肖像创新，功立巅峰。张松柏大师，持续践行文艺服务生活的艺术原则，为中国、为世界创作着无可挑剔的范本，也用他德艺双馨的修行，奉献爱心，专注教育，实现着他在画坛立身、立功、立言的圣人志！

著名书画评论家：黄玉海